{"id":247,"date":"2009-12-06T21:21:13","date_gmt":"2009-12-07T11:21:13","guid":{"rendered":"http:\/\/tokyobound.com\/blog\/?p=247"},"modified":"2021-06-02T08:02:10","modified_gmt":"2021-06-01T23:02:10","slug":"harumine","status":"publish","type":"post","link":"https:\/\/tokyobound.com\/blog\/?p=247","title":{"rendered":"Harumine &#8211; \u6625\u5dba"},"content":{"rendered":"<p><a title=\"Harumine\" href=\"https:\/\/tokyobound.com\/blog\/wp-content\/uploads\/2009\/12\/harumine-shodo.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/tokyobound.com\/blog\/wp-content\/uploads\/2009\/12\/harumine-shodo.jpg\" alt=\"Harumine\" \/><\/a><\/p>\n<p>The above calligraphy by Yukimura Haruki (\u96ea\u6751 \u6625\u6a39) shows the bakushi (\u7e1b\u5e2b) name Harumine (\u6625\u5dba)<!--EndFragment--> he has bestowed on Osada Steve (<!--EndFragment-->\u9577\u7530\u30b9\u30c6\u30a3\u30fc\u30d6) &#8212; after entering apprenticeship to unlock the secrets of aibunawa (\u611b\u64ab\u7e04)<!--EndFragment--> aka the Caressing Style.<\/p>\n<p>Osada Steve:<\/p>\n<p>&#8220;It is a great honor to have been accepted as a student by the undisputed King of Newaza. When I entered into this apprenticeship back in 2006, I thought this would be easy sailing as most of the Shibari is taking place on the floor. Well, I was in for a big surprise. On one hand, the ties look amazingly simple, on the other hand, they are very complex. Even though I am having the opportunity to apply what I am learning in the field &#8212; mostly during my regular Live events at <a href=\"http:\/\/www.osadasteve.com\/studio6_en.html\"><span style=\"color: #ff0000;\">Studio SIX<\/span><\/a> &#8212; as a kind of &#8220;homework&#8221;, I am having a hard time catching up with what is being taught to me.<\/p>\n<p>I have come to realize that the actual shibarikata (bondage patterns) only form a very small percentage of Yukimura-ryu. The essence of the Yukimura style of Kinbaku is &#8220;the way&#8221; the rope is applied &#8212; in a very calculated way, in a caressing manner to facilitate a deeply emotional connection between bakushi and model. This will not only open the opportunity for very satisfactory sessions, but will also result in those special (or shall I say unique?) facial expressions that Japanese women in rope are so famous for.\u00a0 All combined, at the end of the day, these are the secrets of shuuchinawa <span style=\"font-size: small;\">(\u7f9e\u6065\u7e04) <\/span>&#8212; and these techniques involve much, much more than just putting rope on a woman.<\/p>\n<p>It is these concepts and techniques that are hard to teach &#8212; and consequently hard to learn. After several years of intensive study I am beginning to get a grasp of this. At the same time, I realize that I still have a lot to learn.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The above calligraphy by Yukimura Haruki (\u96ea\u6751 \u6625\u6a39) shows the bakushi (\u7e1b\u5e2b) name Harumine (\u6625\u5dba) he has bestowed on Osada Steve (\u9577\u7530\u30b9\u30c6\u30a3\u30fc\u30d6) &#8212; after entering apprenticeship to unlock the secrets of aibunawa (\u611b\u64ab\u7e04) aka the Caressing Style. Osada Steve: &#8220;It is a great honor to have been accepted as a student by the undisputed King<\/p>\n<div class=\"read-more\"><a href=\"https:\/\/tokyobound.com\/blog\/?p=247\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":4,"featured_media":248,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[30,17,84,83,85,96,91,97,33,16,93,14,15,95,48,73,23,94,98],"class_list":{"0":"post-247","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-behind-the-scenes","8":"tag-bakushi","9":"tag-bondage","10":"tag-84","11":"tag-83","12":"tag-85","13":"tag-96","14":"tag-91","15":"tag-97","16":"tag-japan","17":"tag-kinbaku","18":"tag-newaza","19":"tag-osada-steve","20":"tag-shibari","21":"tag-shuuchinawa","22":"tag-studio-six","23":"tag-tokyo","24":"tag-yukimura-haruki","25":"tag-94","26":"tag-98"},"_links":{"self":[{"href":"https:\/\/tokyobound.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tokyobound.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tokyobound.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tokyobound.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/tokyobound.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=247"}],"version-history":[{"count":4,"href":"https:\/\/tokyobound.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/247\/revisions"}],"predecessor-version":[{"id":1144,"href":"https:\/\/tokyobound.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/247\/revisions\/1144"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tokyobound.com\/blog\/index.php?rest_route=\/wp\/v2\/media\/248"}],"wp:attachment":[{"href":"https:\/\/tokyobound.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tokyobound.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tokyobound.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}